This farmer-turned-photographer had the good fortune to turn his hobby into a career, while at the same time making a significant contribution to blue crane conservation in the Western Cape.
“I believe you can't live without a passion in life,” says Wicus Leeuwner, a simple statement which underscores his twin loves – nature and photography. Leeuwner is well-known for the uncanny images in which he captures the essence of the Overberg region, from windswept wheat fields set against azure skies to virgin green grass freckled with sheep. At 62, he considers himself retired, but keeps himself busy supplying curio shops with calendars, postcards, keyrings and fridge magnets which bear his trademark photographs.
Leeuwner's interest in photography began more than two decades ago when he became friends with Peter Steyn and Nico Myburgh. “Both are keen birders and wildlife photographers,” Leeuwner says. “They were my inspiration. I remember a trip I did once with Nico to the Tanqua River in the Karoo. We went all that way to take pictures of a martial eagle that was nesting on a telephone pole.”
But it was only when he met Ann Scott, who championed the cause of the blue crane in the Western Cape 17 years ago, that his efforts as a conservationist truly began. “Ann Scott is the mother of the blue crane. I first met her when she worked for Cape Nature Conservation and I became involved in the Overberg Crane Group.”
As a dairy farmer, Leeuwner was able to mobilise other farmers in the area to implement strategies to protect the elegant endangered bird, one of South Africa's national symbols. “Before we started the campaign, many farm workers used to use poison the birds in order to eat them,” he elaborates. “Their nests weren't being protected and their numbers were dwindling. We raised awareness of their plight and slowly the tide has turned. Farm workers now mark their nests with stone cairns and make sure their eggs aren't trampled during harvest time.”
Thanks to their efforts, the number of blue cranes in the Western Cape has swelled from 600 in 1990 to 12 000 today – a remarkable achievement if you consider that the turnaround has happened in a man-made environment of wheat stubblefields and dryland pastures. Sadly, their numbers in the wild in KwaZulu-Natal and Mpumalanga remain on the decline.
After a violent farm attack in 2007, Wicus and his wife Hanlie sold the dairy business and moved to their holiday home in Hermanus. Since then, he has focused his attention to Ziya Fana, his photography business aimed at the tourism market, which takes him to all corners of SA. The name in Xhosa means “just like the real thing”, a compliment he was frequently paid by his former farm labourers.
He is unequivocal when asked what his favourite environment is for photography. “The Richtersveld,” he says wistfully, “especially when it's dry. It's like Mother Nature in the nude. Everything is stripped bare and there is nothing artificial.”
He loves capturing quiver trees against the first light of day and taking images of blazing red boulders in the dramatic landscape at De Toon. “In the Richtersveld I feel there's a thin veil between reality and another realm,” says Leeuwner, a sentiment which is echoed by his one-time mentor, Canadian photographer Freeman Patterson.
“Patterson taught me a new way of looking at life,” admits Leeuwner. “He taught me that the camera looks both ways – it looks at the outside world, but it also reflects the inner world of the photographer.” Evidently it the way he continues to view the natural world .